Susan sontag essays camp

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His posture was disdain, or else ennui. One runs the risk of having, oneself, produced a very inferior piece of Camp.

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A sensibility is almost, but not quite, ineffable. But not everything can be seen as Camp. While it's not true that Camp taste is homosexual taste, there is no doubt a peculiar affinity and overlap.

Notes on camp fashion

Concert music, though, because it is contentless, is rarely Camp. It has hardened into an idea. It is the only thing in Life that stands in normal relations to Art. It is good for the digestion. Classical ballet, opera, movies have seemed so for a long time. Taste has no system and no proofs. The two pioneering forces of modern sensibility are Jewish moral seriousness and homosexual aestheticism and irony.

That is why I want to talk about it, and why I can. When self-parody lacks ebullience but instead reveals even sporadically a contempt for one's themes and one's materials - as in To Catch a Thief, Rear Window, North by Northwest -- the results are forced and heavy-handed, rarely Camp.

To snare a sensibility in words, especially one that is alive and powerful,1 one must be tentative and nimble.

camp fashion

The public manner and rhetoric of de Gaulle, often, are pure Camp. They allow that considerations of taste play a part in their reactions to people and to works of art. Apart from a lazy two-page sketch in Christopher Isherwood's novel The World in the Eveningit has hardly broken into print.

Time may enhance what seems simply dogged or lacking in fantasy now because we are too close to it, because it resembles too closely our own everyday fantasies, the fantastic nature of which we don't perceive. In the 18th century, people of taste either patronized nature Strawberry Hill or attempted to remake it into something artificial Versailles.

Susan sontag notes on camp pdf

In short, the pantheon of high culture: truth, beauty, and seriousness. So, again, Camp rests on innocence. For every sensibility is self-serving to the group that promotes it. Of course, to say all these things are Camp is not to argue they are simply that. It is good for the digestion. But many of his attitudes suggest something more modern. Detachment is the prerogative of an elite; and as the dandy is the 19th century's surrogate for the aristocrat in matters of culture, so Camp is the modern dandyism. In every move the aging Martha Graham makes she's being Martha Graham, etc. It seems unlikely that much of the traditional opera repertoire could be such satisfying Camp if the melodramatic absurdities of most opera plots had not been taken seriously by their composers. Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment.

One runs the risk of having, oneself, produced a very inferior piece of Camp. For obvious reasons, the best examples that can be cited are movie stars.

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What is Susan Sontag's Notes on Camp and Why Is Camp the Theme of the Met Gala?