Ananda k coomaraswamy essay the dance of shiva coomaraswamy
Which is why when I finally got around to reading Coomaraswamy, I was sorely disappointed. As a connoisseur of art, dance and literature, I will emphatically say that this image is worth tripping on!
For those of us who have had our tryst with mysticism in the post-Fritjof Capra era, this may be old hat.
And what remains perpetually clear is the superiority of the reckless sacrifice to the calculating assertion of rights.
Coomaraswamy, I put you in the dock with other apologists for traditional Indian society. Similarly, Indian art is non-representational. Nothing doing. All the while he was in subcontinent he was: Researching the past Investigating arts and crafts Uncovering neglected and forgotten schools of religious and court art.
All that India can offer to the world proceeds from her philosophy. To those who admit the variety of age in human souls, this must appear to be the only true communism.
There are no degrees of beauty; the most complex and the simplest expression remind us of one and the same state. Coomaraswamy was a man of his time, and we have to cut him some historical slack.
The dance of shiva by ananda coomaraswamy essay
It was not a question of accepting her, warts and all; but exhorting those same warts as the epitome of beauty. About the Author: Anand Kentish Coomaraswamy was one of the great art historians of the twentieth century whose multifaceted writings deal with Visual art Aesthetics Literature and language Folklore Mythology Religion and Metaphysics Coomaraswamy is considered as a leading member of Traditionalist school of comparative religious thought. Yes indeed. On the status of Indian women: The Asiatic theory of marriage, which would have been perfectly comprehensible in the Middle Ages, before the European woman had become an economic parasite, and which is still very little removed from that of Roman or Greek Christianity, is not readily intelligible to the industrial democratic consciousness of Europe and America, which is so much more concerned for rights than for duties, and desires more than anything else to be released from responsibilities—regarding such release as freedom. He is the God who dances. Secondly: The purpose of his dance is to release the countless souls of men from the snare of illusion. The metaphor of cosmic dance has found its most profound and beautiful expression in Hinduism in the image of Dancing god, Shiva — King of Dancers. He is full of esoteric symbolism: he wears the moon and the river Ganges in his matted hair locks; wears serpents as garlands; wears cloths made out of tiger and elephant skins; and his body is covered with the ash from funeral pyres. Ananda K. But it was out of print at that time, and I could source a copy only now — with Rupa Publishers reprinting it. The sonata cannot be more beautiful than the simplest lyric, nor the painting than the drawing, merely because of their greater elaboration. Coomaraswamy, I put you in the dock with other apologists for traditional Indian society.
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